I’ve discovered that the functions express their unique influence through the tao of the Greek goddess Artemis—an archetypal propensity richly endowed with autonomous power, fierce agency, determined focus, profound self-sufficiency and capacity for self-care, and enormous ability to maintain a connection with the purity of a thalassic and lunar soul.

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My ongoing experience with grief in relation to my inferior function has brought forth dysfunctional behavior as well as an increase in consciousness and differentiation. It has enhanced my awareness of the healing capacity and vulnerability of the inferior function. I have come to see that the vulnerability is necessary.

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Cassandra represents the difficulty of expressing one’s own truth in a way that is persuasive and influential in the world, particularly a truth that is not androcentric. The weakening of the voice of the dream ego represents the suppression and repression of the feminine that results from continuing to rely on old ways of exerting influence.

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When I first learned about typology in the mid 1990s, I set out to conquer the inferior function. After all, I wanted to develop in every way possible, and surely that meant quashing anything inferior! More recently, however, I have come to appreciate the power of this gremlin to draw me closer to the middle realm of dreams and imagination, where wisdom rises from the depths.

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The environmental wounds to Cobain’s natural INFP disposition left his ego vulnerable to an anima invasion. It was she who allowed the instinctual power of the unconscious, in both its creative and destructive properties, to flow through the inferior function and overrun his personality, attempting to restore order by instigating archetypal modes of adaptation.

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The more I fell apart inside, the more I needed outside structure and order. One night I dreamed of an interior colorless and noiseless explosion that was followed by a voice that boomed, “You have the courage to let your interior world be chaos; there are no walls where there should be walls. You are a crab, and you need an exoskeleton.”

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The dynamics of creative process and psychological wellbeing are such that creative artists are often overcome by the demonic. From Nietzsche’s Zarathustra to Curt Cobain’s Nirvana, there is an artistic star swallowed by the unconscious every week. But the arts can also be a type of savior—a place for us to process our darkness and not become it.

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Igniting the spark of opposites produced during conflict can provide an opportunity for holding the tensions between the one-sided attitudes. The process requires confronting and embracing the forces of unconscious qualities, along with holding the tension and uniting of opposing forces, in order for the full expression of an individual’s potential to be revealed.

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Individuation calls us to fight the dragon head-on. The struggles of relationship—whether with another person or within a culture—are opportunities. We can flee and seek a quick-fix, taking what my husband calls “tequila shot” flights to numb the discomfort until the next situation arises. Or we can remain within the oyster shell and endure the uncomfortable rubbing.

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The alien invasion can then be viewed as a necessary fragmentation of the psyche, occurring when the ego is too rigidly identified with the dominant function. The crisis brings renewal by breaking apart the ego identity so that the previously unrealized functions can be differentiated and integrated, thereby transforming the conscious attitude.

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To have to spend a year in one’s inferior function is like a yearlong time-out for a toddler. I got so bored and desperate with my inferior introverted sensing (Si) function, required to gather and document the data, that I spent many hours asleep in the library. I could have asked Dr. Goldsmith for help, or maybe a mercy killing, but I was too proud to admit difficulty.

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The feeling function has its roots with the archetypal mother. My actual mother had limited tolerance for negative emotions from me. Her outbursts frightened me, and my own feelings terrified me even more. Hillman wrote that the mother-complex, “is the permanent trap of one’s reactions and values from earliest infancy, the box and walls in every situation whichever way one turns.”

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