The portrait of Bob Dylan in the film “I’m not there” demonstrates how a lack of father-specific structure is compensated by a powerful and extraordinarily creative but volatile and defenseless Puer structure; and the movie further illustrates the tendency of the Shadow complexes to rise to repair such psychic vulnerabilities and restore equilibrium.
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Both articles in this issue describe how parental roles can affect type development. Typologically, one indicator of a dysfunctional parental complex can be an under-developed auxiliary function, and this suggests that a positive parental complex could foster the development of the auxiliary function. … What parental influences on type development have you witnessed? What do you notice in your own typology?
In a dream she showed up as twins. One who was quiet and could play by herself (like her father, Ti) and the other who was very precocious as she hung upside down from a tree (like her mother, Te), reflecting the inherent nature of the Opposing Personality. From the outset of our work her battle seemed to reflect inferiority about not being an extravert.